THURSDAY 4 JULY 2024
Ms. Monica Secco (Italy): Tango Argentino & Partnering: a research project on contamination between argentine tango, authorial dance and partnering through sociality and relationship.
Ms. Simona Niero (Italy): Dance and disabilities, the reason for a perfect union.
Mr. Dimosthenis Manasis (Australia): The unique application of choreographic elements on traditional Greek folk dance, as a method of cultural preservation and evolution in the diaspora.
Ms. Nayeli Pérez Quintanar (Mexico): Dance Studios Reaching goals through smart strategies of knowledge and collaboration
Mr. Theodore Lianopoulos (Greece): Capturing the invisible of dance: a never ending photographic journey
Ms. Chrisoula Kotouzou & Mr. Alkis Raftis (Greece): Arms used in ancient Greek armed dances
Ms. Georgia Rapti (Greece): Dance and Sculpture
Mr. Kristián Kohút (Slovakia): Research on Dance – the way to defining Slovak Ballet Identity
Ms. Zeynep Sile (Türkiye): How we learn-how we teach
Dr. Ivica Liszkayová (Slovakia): 75th anniversary of the Academy of Performing Arts and projects of the HTF Research Center in cooperation with the Department of Dance in Bratislava since 2011.
Ms. Marianna Kokkinaki (Greece): Spirit Dances: The Dancing Gods of Umbandaime
Mr. Brave Richard Allem Gamba & Mr. Romeo Ervard Belkonda-Kanda (Congo D.R.): Kutu- ku – Koongo (Keep an eye on Congo)
FRIDAY 5 JULY 2024
Ms. Karla Chee-a-tow (U.S.A.): Art & Reconciliation
Mr. Ingo Günther (Germany): Presentation of the ensemble “Contretemps-Berlin”
Mr. Stevan Ristić (Croatia): Four historical stages of liberation of dance
Ms. Maria Athanasiadou (Greece): UAE- The Respectfull Traditional Dances of Arab Emirates by the research of Maria Athanasiadou
Ms. Zhu Lyu (China): The evolution and transformation of folk dance in China
Mr. Sean McLeod (U.S.A.): Coloring Classical Ballet: McLeod Technique
Mr. Polyzois Kotsanadas MSc (Greece): Orchesis as a Therapeutic Art & Philosophy
Ms. Kierstyn Zaykoski (U.S.A.): Ballet, Modern, and Contemporary: MT Reinforced Motor Function for Pointe – A Black-created Innovation in Ballet
Ms. Rosanna Hürrem Tettamanti (Italy): The meaning of harem
Tinos Section of CID (Greece): Dancing History
Dr. Ioanna Mastora & Ass. Prof. Anna Lazou (Greece): Orchesis & AI
Ms. Alba Simina Stanciu (Romania): A Theatrical Approach of East-European Dance. Between Contemporary Solutions and Ritualism